Laos - Land of Please Don't Rush
It takes an hour or so
to fly to Vientiane from Bangkok, or a few minutes to cross
one of the bridges over the Mekong river, the border between
Thailand and Laos. But the time travelled is a great deal
more sweeping; Laos is anchored years behind Thailand in time.
Not for nothing is the People’s Democratic Republic
– PDR – nicknamed Please Don’t Rush. This
is a nation that moves at the pace, both physically and spiritually,
of the monks who set out at dawn in search of alms. It is
a place where the skyline is defined by mountains and temples
rather than skyscrapers, where cicadas can drown out the hum
of city traffic and the only sound in the temples comes from
squeaking bats suspended from the rafters.
Landing in Laos, visitors at once start to slough off the
vicissitudes of everyday 21st-century life, as if the entire
country were a non-stop and singularly arresting spa treatment.
A note: the country may appear to be decades out of the joint
with the rest of the world, but booking and paying for flights,
tours and hotels is modern simplicity itself, through this
web portal.
Vientiane is the largest metropolitan area in Laos, but it
defies the normal conception of a capital city. A lone high-rise
– the statuesque Don Chan Palace Hotel – hovers
above the Mekong, and the rest is all low-lying, low-key,
and – as Cole Porter might have put it – delightful,
delicious and de-lovely.
One of the longer-established hotels, the Novotel Vientiane,
cradles its guests at breakfast in a picturesque courtyard
set about a tempting swimming pool, before allowing them to
sally out to discover the city’s pleasures.
One of the most intriguing things about Vientiane is that
it has no discernible centre. Bordered by the Mekong, its
thoroughfares lead this way and that, past historic temples
and stately colonial residences, along lines of shops and
boutiques selling handicrafts and colourful locally-made clothing.
The monumental Patu Xai, built in a style reminiscent of
the Arc de Triomphe in Paris, seems as if it might presage
the start of something important, but it doesn’t. It
simply stands in solitary, charming splendour, providing the
best panoramas over the city and out to the countryside, and
a favourite meeting point for strollers, courting couples
and skylarking children after the heat of the day dissipates
at dusk.
One of most vibrant – and remember, the term is relative
– parts of Vientiane is the Talat Sao, the Morning Market,
a gallimaufry of shops and stalls selling everything from
fresh vegetables to freshly minted antiques, jumbled together
hither and thither, yet still with very little in the way
of hubbub.
An hour or so’s browsing here, even with only a handful
of US dollars (which are accepted everywhere) or a small pile
of kip (as the national currency is appropriately named) will
turn up some sort of souvenir, be it a hand-woven basket or
some traditional textiles. Despite its name, the market is
open all day.
From morning market to evening malarkey: nightlife in Vientiane,
not surprisingly, is still in its infancy, and although there’s
a range of bars, karaokes and clubs, many visitors find that
after supper they’re more than ready for – to
coin a phrase – a good night’s kip.
If Vientiane is laid back, then Luang Prabang, the former
capital roughly an hour’s flight to the north, is positively
horizontal. A UNESCO world heritage site since 1995, it is
festooned with scores of temples, and inhabited by hundreds
of monks. Many visitors rise early to join local residents
kneeling on the sidewalks and dolloping out scoops of rice
to the abbots, monks and novices who glide through the streets
like a gorgeous orange rivulet.
As the sun rises, Luang Prabang takes on a mildly different
character, for it seems that every other building has been
converted into a guesthouse, an eatery of some sort, or a
handicraft shop.
One of the most lovely hotels, the Villa Santi, opened in
the early 1990s, the brainchild of Mr Santi Inthavong, who
had married a former princess. As the years passed and the
business prospered, they opened a second property a little
removed from the town, and the Villa Santi Resort & Spa now stands as a haven surrounded by nothing more than paddy
fields in a hushed, lush valley.
By day, most visitors are content to stroll about the temples
and museums, soaking up the atmosphere of this marvellously
preserved time capsule, exchanging reverential greetings of
“sabaidee” and perhaps dropping into one of several
Internet cafés (which, incidentally, are very popular,
too, with the younger novice monks) to share their experiences
and excitement with friends around the world.
Come evening, Luang Prabang’s main strip, which runs
between Mount Phou Si and the Royal Palace Museum, metamorphoses
into the night market. Tribesfolk, who wear traditional dress
as a matter of course rather than for touristic spectacle,
spread out their wares in a double rank of beautifully genuine
retail therapy.
There’s silverware and hand-carved wooden bowls, tops
and trousers in all the colours of a PhotoShopped rainbow,
woven bags and gem stone jewellery and – mark this –
barely a sound apart from the low murmur of buying and selling.
Not one of the traders pushes or hassles – they simply
sit by their goods, napping or nursing children, and occasionally
emitting a shy smile.
Bargaining is gentle and courteous, and the prices eminently
reasonable. There can be few more restful shopping experiences
on earth. And this being Luang Prabang, everybody heads off
for yet another good night’s kip by about 10pm.
Indeed, there can be few more restful destinations on earth.
A university is being built outside this achingly pretty city,
and there’s talk of a new airport, one that will cater
to larger aircraft bringing yet more outsiders to experience
the magic of Luang Prabang. But for the moment, Luang Prabang
slumbers, and rather than being shuttled aboard a bus, departing
passengers walk out to their plane across the airport apron,
bathed in the warm sun and the warmth of the gate clerk’s
farewell: “Pop gun mai” – see you again.
And nobody can ever take off from here without fervently wishing
that those parting words come true.
Review & photos by Ed Peter
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